In "A Film Like Any Other," Jean-Luc Godard's 1968 documentary, the turbulent events of May 1968 are laid bare in two identical image tracks with differing narration, forcing viewers to piece together the fragments of a fractured conversation. Shot on the outskirts of Paris amidst the chaos of student protests and factory occupations, the film captures the raw emotion and uncertainty of its participants as they grapple with unifying their movements across class lines. With its static camera work, overlapping dialogue tracks, and anti-climactic ending, Godard's documentary is a deliberate challenge to traditional narrative filmmaking, instead opting for a subversive exploration of social upheaval and the search for new forms of social practice.