In 1980, Brazilian filmmaker Glauber Rocha brought to life a powerful and provocative vision of Brazil's tumultuous late 1970s, inspired by Castro Alves' poem. Four men embodying Christ's image - a black man, a soldier, an Indian, and a guerrilla fighter - valiantly resist the oppressive forces of foreign exploitation and moral decay. Against this backdrop of cultural upheaval and political repression, Rocha's film dares to challenge the status quo with unflinching ferocity.
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