"God Is a Woman" is an astonishing rediscovery of a lost piece of cinematic history, as Swiss-Panamanian filmmaker Andrés Peyrot uncovers the long-hidden 1975 documentary by Pierre Dominique Gaisseau about the Kuna people's intimate ceremonies and culture. The film, once promised to the Kuna community but never delivered, has now been rediscovered in Paris, sparking a poignant exploration of colonialism, representation, and the power of self-representation on screen. With humility and warmth, Peyrot sheds light on this fascinating story, raising important questions about documentary ethics and the impact of forgotten films on marginalized communities.
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