Final Flesh

In a defiantly absurd attempt to redefine the boundaries of cinematic expression, Ike Sanders' 2009 film "Final Flesh" presents a post-apocalyptic family's impending doom as a surreal, non sequitur-infused exploration of philosophy and human weirdness. This deliberately bizarre experiment in filmmaking tells its own unique story, composed almost entirely of random and nonsensical moments, shot on camera with an unsettling sense of intimacy and authenticity.