In a dystopian near-future Britain, young Alexander DeLarge and his gang of thugs engage in a world of ultra-violence, rape, and theft, all while swooning to the music of Beethoven. The state's attempt to rehabilitate Alex through an experimental aversion therapy technique raises questions about personal agency, morality, and the blurred lines between good and evil, leaving one to ponder whether conscience is still a commodity in a society that values control above all else.
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